Love Dogs

For the pilgrims among us.

I am a pilgrim and a stranger
Travelling through this wearisome land
I’ve got a home in that yonder city, good Lord
And it’s not, not made by hand

Two Ponderables from Antonio Machado

 

I love Jesus who told us

the heavens and earth shall pass away.

When the heavens and earth pass away,

my word will remain.

What was your word, Jesus?

Love? Pardon? Affection?

All your words were

one word: Arise.

 

– Antonio Machado

 

~~~

 

In my solitude. I have seen things very clearly that were not true. 

 

– Antonio Machado

Zen and Fanaticism

“When people are fanatically dedicated to political or religious faiths or any other kind of dogmas or goals, it’s always because these dogmas or goals are in doubt.”

– Robert M. Pirsig

Pirsig wrote Zen and the Art of Motorcycle Maintenance, a philosophical novel I read during my college days. If you read the book – which I recommend – you’ll find that Pirsig knew a lot about doubt.

Zen was personal reading, not assigned for a class. In fact, I remember it took some effort to convince the professor of a Modern Novels class that it was a novel at all, so that I could write a paper on it. He said I should save Zen for a philosophy paper, and choose a nice novel – something actually fictional – for the assignment. Though he was right, he let me do it anyway. But in order to make his decision, my professor had to read the book, which he did overnight. Over one night.

One of the things I loved about college was that I was surrounded by people far smarter than me. (Or is is smarter than I? …Me. “Smart than I” sounds so pretentious.)

Me still meet smart people, but me don’t feel surrounded anymore.

The prof was Lennis C. Dunlap at Chico State, who co-wrote The Forms of Fiction with the novelist John Gardner. Both brilliant men and that book are, sadly, long since out of print. And my dust jacket is getting a little tattered too.

Another thing I liked about college was that there was very little dogma going on. Within the religion of the double space type and the one inch margins, we were encouraged to put our own twist on Knowledge.

Once we were discussing religion in one of Prof Dunlap’s seminars, and he invited us – optionally – to tell what religious group we belonged to, if any. When it came my turn, as I joke I said, “I’m a Druid – Reformed.” I made that up on the spot and thought it was pretty darn funny. Without missing a beat or blinking an eye, Dunlap said, “Is that a local coven or back home?” It’s been 30 years, and that still makes me smile.

I Witness

I have done a pitiful job, failed
at my simple task, to bear witness
to the love of life and the itch
toward death. A poet’s job
is testimony and the hesitant quest
for the words and their order.
So what have I seen that I ought
to report? What have I overlooked
or failed to recognize? The tree
beyond this window was threadbare,
tattered by the late winter wind.
Now it wears a great coat
of summer leaves. The sun is high
and bright on the last day of June.
Our faces deeply lined now, hair
variegated gray, we heave
from the chair with a groan. But I
never saw the cause of anything,
so I can’t tell you why. We rise
and eat and let our dogs dance
around us in sparks of happiness.
Then for some strange reason, we turn
to the east, lie down and sleep.

 

6.30.2013

I Witness by Kyle Kimberlin
is licensed under a Creative Commons
Attribution-NonCommercial-NoDerivs 3.0 Unported License
.

 Creative Commons License

Risk Factors

James Gandolfini is dead, says the Internet. He was in Rome with his 13 year old son. That is too young to lose your Dad. My heart goes out to that boy, and to the man’s family and friends. 51 is too young to die.

Gandolfini was born in 1961, as was I. We have more than that in common. Risk factors; I’m sure you understand. So I turned away and looked to my blogs, and found Neil Gaiman writing about the death of his friend Iain Banks, who died of gallbladder cancer recently.

Regular readers of Metaphor may recall my post last month, about my own struggles with the gallbladder. Damnable, bilious little thing. I can’t wait to have it out and gone! But I’m perforce working to lose weight first, to reduce the risks of anesthesia.

By Heaven, it will set a man to pondering.

Remember me as you pass by,
As you are now, so once was I,
As I am now, so you will be,
Prepare for death and follow me.

But you know what? Death is really hard to look at, straight on. You have to come at it holding a mirror at an angle, or a shard of broken glass, and pretend not to be looking at all. The greatest common denominator, and the real traffic of all writing and most of human creativity, is elusive in daylight.

Here’s a video, a song for those going on ahead. And may the judgment not be too heavy upon us.

 

OK, here’s another song. This one is for me, maybe for you.

 

Because the sea is good for doing what it does, for cleaning up and washing all away. But the graveyard accepts and is patient, keeping watch, letting the years pass slowly in silence and in light.

— From my flash fiction piece, A Shadow Or A Dream

Distances

All of these passages appeared by serendipity in my morning music, reading, and writing. Should I be seeing a theme?

Distance
and a certain light
makes anything artistic—
it doesn’t matter what.

May Swenson

They will see us waving from such great
Heights, ‘come down now,’ they’ll say
But everything looks perfect from far away,
‘come down now,’ but we’ll stay…

– The Postal Service, “Such Great Heights”

Inspiration, move me brightly. light the song with sense and color;
Hold away despair, more than this I will not ask.
Faced with mysteries dark and vast, statements just seem vain at last.
Some rise, some fall, some climb, to get to Terrapin.

– The Grateful Dead, Terrapin Station

I would rather have had them see me waving down from on high, bearing an enigmatic smile born in the lessons taught outside of time and space, of how perfect life is and how much better than life is death. So people die, but they keep watch on what we do and how we spend our fading days, but most don’t choose to stay too close. Everything looks purer in its blues and greens—even the dull brown between the trees and the ruddy drying tack of our blood on the land—from an infinite distance like heaven.

– Kyle Kimberlin