Remembering it Now

Alright, gentle readers. Gettin’ down to it. Gettin’ serious. “Because here we were dealing with the pit and prune juice of poor Beat life itself, in the godawful streets of Man.”
– Kerouac

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Remembering it Now

My bicycle is gone, the one with the banana
seat, hand brakes and handlebars
like rams’ horns, wrapped with yellow glitter tape.
It was 5 speed, which was boss in 1972.
Chased by a German Shepherd, I rode it
into a ditch. My mother rescued me.

Papa’s typewriter cannot be found,
a heavy old Royal with black
and red ribbon. No electricity required.
He let me play with it but he used it
to write letters about dogs — German Shepherds.
And dogs arrived and they were good
— his dogs didn’t chase children off the road.

Phone books are gone. Are they even
printed anymore? No need – all of the names
are lost to time and all of the time is lost
to suffering and fear. No one is even
naming the dead. I didn’t know Death
could take so many without bombs
or guns or a very good reason. Casus
belli. We’re going to need a bigger book.

Months and days and hours are gone,
disappeared in the tule fog of quarantine
and unknowing, and weeks of fear
and counting of the unremembered Dead.
The soul waits in a closet the back of the house,
with the sweaters we were wearing
when the world blew down.

All of the Kingdoms of Hope are gone,
all of the plans we had, the bright joyful
memories of time to come.
Who can remember Christmas in a plague?
How we met back in 2020, and we hugged,
hands around the table. In the kitchen,
side by side. We hoped!
We remembered a future more bright
than it ever could have been.

So any time you want to weep for all
that is gone, brothers and sisters, I’ll join you.
From hopefully safely now and here.

J. Kyle Kimberlin
Creative Commons Licensed

In a World

Isn’t it strange
to be in a world,
especially this one?

I’m in the world
with its terrible events
though I never dreamed
there could be plague again
but also waterfalls
that no one ever sees.

You’re in the world
with its beautiful elephants
so you never dreamed
there could be all this anger still
and also people who
almost never dream.

Isn’t it strange
to be human forever,
especially weeping?

J. Kyle Kimberlin
Creative Commons Licensed

‘You are a little soul carrying about a corpse, as Epictetus used to say.’

Marcus Aurelius

Counting the Dead

No one is talking about the Dead.
We’re just counting them.
Each day there are more and we think
it can’t get any worse, until they don’t
come back. So we keep counting the Dead.

People made memorials for the Dead
of 2001. Their names are etched in stone.
You can read them on the Internet.
At some point they were read aloud.
But that was only 2,600 Dead. .

We mourned. We wept and flew the flag
and vowed revenge. We didn’t understand
that Death is never satisfied.
We should start reading names today.
Too many Dead to carve in stone this time.

But we don’t call the Dead by name
or say what was done with their bodies,
memories, or redeemed of the time
they should have had to wait as days
of quiet life and love pass by.

We who are dying now will learn
the patience of stucco and sunlight
on glass. Some of us refuse.
There is no one they love enough
to sit in a room with their dust and be still.

J. Kyle Kimberlin
Creative Commons Licensed

Shelter

In the distance, someone beats
a great drum, coming nearer every day.
This old rhythm we don’t recognize,
the days of plague. Those who do not
learn from history are doomed.
Like birds driven earthward to shelter
under bushes by a storm, we wait
for abstract entities to pass.
Son of man, you cannot say or guess
how long. The clock reminds us,
drumming down the hours like high
surf pounding on the rocks.

I have lived in this room for years,
beneath its stucco laqueraria devoid
of cherubim or even birds.
The days called me out into the warm
sea air, to see the intimation of islands
beyond the eucalypti and the bluffs.
Now the invitation is withdrawn;
at least obscured, contingent
on a tolerance of sorrows.
I had not thought the sweet breeze
would rise and bring such sounds
of the inevitable world.

J. Kyle Kimberlin
Creative Commons Licensed

Birth

I just learned that an old friend has passed away. We knew he wasn’t well but I don’t believe even he thought time might be so short. It makes me consider how precious life is. In a sense, life is a series of experiences, each of which slips into the past and is impossible to have again. And each day we say goodbye to the person we were the day before.

I’ve been working on this poem already for already for a few days. This seems like a good time to pull it out of the notebook.

BIRTH

Every birth is a condescension of starlight,
a grand confluence of element and intelligence.
Each arrival a litany of the life-long goodbye,
to the first moment, first face and day,
to sunsets innumerable and hurried
in silence by the turning world.
Goodbye then to childhood. Goodbye to first love,
kiss, car, first earthquake. Goodbye to the last
day of school, to the wood duck and whale,
all blankets and cold lakes, all cloudy spring days.
Goodbye to time and the stubborn way
the planet rocks back and forth forever,
creating spring and all its passionate hope.
Goodbye to yesterday and who we were,
misremembering all the possibilities.
Goodbye to our plans for the end of days
and the Nightland coming and everything
to which we haven’t said hello. Oh God!
Goodbye to dogs, goodbye to you and me.

J. Kyle Kimberlin

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“Goodbyes make you think. They make you realize what you’ve had, what you’ve lost, and what you’ve taken for granted.”

Ritu Ghatourey

Our House

Everyone I know is uncomfortable.
Everyone wants a different house,
something with glass walls
where they can be seen in happiness.
But farther from people.
Hell is other people.
A quiet house is needed, in the trees,
with clean lines and good bones.
High ceilings to let it breathe deep.
A stone foundation, a garden for butterflies.
A warm kitchen for late night suffering.
Quiet neighbors, preferably dead,
barely whispering if they must.
A kettle on the stove to exhale memories;
A kettle that won’t forget I was here.

J. Kyle Kimberlin
Creative Commons Licensed

Leaf and Shadow

A sycamore leaf floats flat
in a puddle on the black street.
It turns slowly in a shadow
that’s been with you all of your life.
And nothing can be done.
Everyone cares but no one comes
to help. Step over it, go on across
so long as the signal allows
into the bright coffeehouse.
The one where the woman
plays guitar sometimes.
Find a table with good light.
Order something with hot milk.
Order warm bread.
Be benevolent with the tip.
Remember all memory is fleeting.
Forget how far you have come in the rain.
The shadow still falls on the notebook,
on every page, despite the lights
overhead and the bright conversations
of others whose children are in school,
who never saw the leaf on the broad
green tree, making shadow; the leaf
that fell and died to bring you here.

J. Kyle Kimberlin
Creative Commons Licensed

Vanishing Point

I miss you but you’re dead
and I don’t know what that means,
beyond words and their delusions.
Everything is so mysterious.
I can’t go where you’ve gone
until I’m called.
Even then, is it a journey within Being
or a vanishing point?
No one knows but we still have today
this hazy summer ending soon,
the life around us torpid and drunk
with light. Even you belong here,
Being remembered, still part
Of everything so mysterious.

J. Kyle Kimberlin

Creative Commons Licensed

Home

There are many names for home.
Safety is one of them, into which we lock ourselves,
or simply the place of all slipping away.

The flowers fading on the table
don’t know they’ve been cut,
affirming only being where they belong.

At home there is always a clock
that no one has wound, compelled
to tick by the steady unwinding of hope.

I have meat ye know not of, Christ said,
meaning a kind of home. Many mansions,
brighter than time and far beyond.

So God is another name for home,
and time because everything here
is a memory, mind returning to another world.

J. Kyle Kimberlin

Creative Commons Licensed

Waiting

I have been waiting here, it seems like years.
The tides rise and fall. Old Luna, battered
and pale, barely shines for me at all.
The house is tired now and moans
to lay down its walls like limbs, like fallen
logs across a steam.

What are you waiting for? she cries.
For love, I say. For people to stay
or the courage of one oak on a hill
in tall grass, or the strength to give up.
Waiting is easier.

The house is aligned with the stars
where they’ve fallen, somewhere
in the east. Tonight, there is half a moon
to give me hope. I look up and watch,
waiting for these muses to decide.

J. Kyle Kimberlin
Creative Commons Licensed

“The function of the imagination is not to make strange things settled, so much as to make settled things strange.”

– G.K. Chesterton

DEEP BREATHING

I breathe Time in and breathe it out.
Draw in a day and the hours
rush out like a breeze over dandelions.
One dog after another rises
from her sleep in a blaze of light,
turns to sigh and lie back down.
So, it must be better not to take
such large gulps of Time; just a little,
like this moment of my pencil
growing dull, or the next in which
you are reading this. Inhaling just
these few poor words,
exhaling forgiveness into the stillness
of some future room, so brightly lit.   

J. Kyle Kimberlin
Creative Commons Licensed

Conversation With The Dog


I have some questions for Brookie
who knows what to do
when I go to the couch.
She runs, jumps, climbs
to my chest.
I ask about her day.

Did you have time in the yard
in the sun? And did you see
the squirrels on the wire overhead?
Did you drink your water
and chase the birds to make them
scatter to the sky?

Was there an hour for a nap,
where the sunlight falls
short and slanted to your chair?
And did you, will you, can we
play with your toys? The sun
is setting hard and fast and I
have been too much alone.


J. Kyle Kimberlin
Creative Commons Licensed