Christmas in Santa Barbara

I know that a couple of my readers are in the midwest and the eastern part of the country. So I wanted to share this: At mid afternoon today, the ambient temperature on my parents’ back yard deck – on the southern, sunniest side of the house – was 87 degrees. Humidity about 45 percent.

Neener neener neener.

Perhaps a visit to Santa Barbara at the holidays would be nice for you.

You are most welcome! Though I have to admit, all this sunshine does not make for a traditionally picturesque Christmas.

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But I imagine having to dig your car out of a drift doesn’t set you to singing carols either.

Longer Darkness

I have been outside this evening after dark, getting acquainted with the night, rearranging the strings of Christmas lights on my balcony irons. One of the strings went dead, you see. Probably a fussy little fuse.

But, you know, that old Grinch was so smart and so slick
He thought up a lie, and he thought it up quick!
"Why, my sweet little tot," the fake Santy Claus lied,
"There’s a light on this tree condo that won’t light on one side.
"So I’m taking it home to my workshop, my dear.
"I’ll fix it up there. Then I’ll bring it back here."

The days, you may have noticed, are getting terribly short. The sun’s arc is shallow, almost begrudging, even this far south of the North Pole. We’re only 10 days now from the Solstice. So Christmas lights are important, and I was out there in all this longer darkness, stringing twinklers at the top of my outside stairs. I guess there’s a slight chance of a quick and messy death in that. Which naturally set me to wondering what was the last thing I said to anyone, since that might turn out to be the last thing I said to anyone.

I couldn’t remember. It might have been something like “have a good night,” to my neighbor. But nobody wrote it down.

Wouldn’t it be cool if somebody – besides Facebook – was discreetly recording our every utterance, just in case it might be our last? Well my last words, if I had tumbled down the concrete steps, might not have been fit for polite conversation. Let alone to be etched in marble or quoted as an epigraph in literature. But you never know. I might have been wise or funny in the end.

Goethe is said to have thundered, "More light!" But there is, I believe, some contention. Some have quoted him as saying, “Open the second shutter so that more light may come in." The former is better. Still others say his final utterance was really, "Come my little one, and give me your paw." And where does your imagination go with that?

Henry David Thoreau’s last words were, "Moose. Indian." Just shortly before that, we was asked if he had made his peace with God. He said, "I did not know we had quarreled."

Walt Whitman’s last yawp: "Hold me up; I want to shit."

Emily Dickinson finally said, "Let us go in; the fog is rising." For her, everything was poetry, nothing ordinary.

When a nurse told Henrik Ibsen that he seemed to be improving, he said, "On the contrary!" and died.

Ludwig van Beethoven: "Friends, applaud. The comedy is over."

Oscar Wilde’s famous last words were, "Either this wallpaper goes or I do."

Welcome Christmas bring your cheer
Fahoo fores dahoo dores
Welcome all Whos far and near
Welcome Christmas, fahoo ramus
Welcome Christmas, dahoo damus
Christmas day will always be
Just so long as we have we
Fahoo fores dahoo dores
Welcome Christmas bring your light

Everyman Knows

 

What shall we say, shall we call it by a name
As well to count the angels dancing on a pin.
– The Grateful Dead

There was a well known and successful writer interviewed on TV the other day. Her name escapes. Suffice to say, her ship is in. She was saying that the writer has to know something in order to write.

I don’t know about that. I tend to throw in with Joseph Campbell, who said

He who thinks he knows does not know. He who knows he does not know, knows.

If he’s right, everyone knows, and nobody does. But see if you think this little piece gets any air among the clouds of unknowing.

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Passing Trees

“What time is it?”

Taking one hand from the wheel, he started to push back the sleeve of his jacket to see his watch, then stopped. He glanced over at her. She sat looking out her window through the rain, at the trees.

“There’s a clock on the dashboard in front of you.”

“Is it right?”

“Yeah.”

“So you won’t tell me?”

“What’s the use of having a clock in the car, if you always ask me anyway?” But now he did push back his sleeve and look. “The clock on the dash says the world is one minute older than the watch on my wrist. So I’m going with the clock. I’m feeling pretty old right now.”

She frowned and watched the trees, a dark wall and a dark road, a grim and rainy day. She did not look at him, or care about the time. It was only something to say, some excuse to conjure his voice out of the distance between them. It was a good voice, solid and deep, a comfort so often, and always in the dead of night. Sometimes she lay awake and whispered I love you, and he would answer in that voice, without waking. Love you too.

As they passed the end of the orchard, a field opened up. It was fallow, the earth broken and turned. Far back from the road was a brick house and a barn. The house was brightly lit, and smoke rose from the chimney. It was a stranger’s life sitting quietly surrounded by death, waiting to be swallowed by time and rain. She could not wait to get home, turn on lights and music, make tea, and pretend, like that house pretended, that the world was safe.

“I hate myself for leaving him there.”

He checked the mirror and said, “It’s a nice place.”

She turned at looked at him. “Nice? I hate us both.”

“Now, now. Yes, it’s a decent place, as …”

“And he hates us too.”

“… as such places go. Pleasant and homey.”

“Well.”

“He’ll come around. It’s very nice. He’ll get used to it, make friends, have activities. You saw they have a piano in the recreation room. And the courtyard will be warm on sunny days. We’ll visit and take him outside. He’ll be fine in no time.”

“He’s never yelled at us like that. Never at anyone, that I can remember. So angry. Like we’re Eskimos, shoving him out on an ice flow.”

“We’ve been over this. Can you really pretend we’ve been thoughtless?”

“Do they even do that, did they ever?”

“What?”

“The Eskimos.”

“I don’t know.”

“He said we’re going to hell.”

“Oh God. Everyone is on their way someplace, but not there. And we’re only doing our best.”

“No. We could do better. We should bring him back. Fix up the spare bedroom.”

“Honey.”

“Rent one of those hospital beds. I could take care of him, I know it. I could quit my job, we’d get by.”

“You couldn’t. You can’t even lift him. Neither can I.”

They passed the end of a narrow road that broke the blur of idle land and disappeared toward the hills. She saw that her hands were resting on her lap palms up, waiting to be filled by something only God could design.

“You know him better than me.”

“Yes,” he said.

“Since the hour of your birth.”

“Jesus.”

“So I hope you’re right. But he’s already haunting me.”

There was another line of trees close against the road. Almonds, dark and full of rain.

 

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More Satisfied Human Beings

I know, I’m on a video spree here, but this is just great stuff. We know this actor from The Office, and here he really nails it. He says more that’s meaningful about creativity in 4 minutes than most teachers on the subject can say in an hour.

Actor Rainn Wilson says:

“People have trouble living creatively when they don’t know who they are or what they’re about. The best thing to do if you’re blocked is to make radical changes and get outside your comfort zone.”

On P&W

Here’s a video of writer Jonathan Franzen on why Poets & Writers magazine is good.

It is excellent. And they’re celebrating their 40th anniversary, which is why they’re posting little videos of famous writers.

And why not? Cheers.

Deck the Halls!

I haven’t had much too blog about the last several days. I’ve started a few posts, and lost interest. The drafts are mulling like cider in the back of my mind. But don’t wait up.

As a consolation, here’s a great little video to watch. It’ll warm your punch, is my point.

Speakers on!

OCD Titles

Here is an image from an advertising e-mail I got today. Sometimes I wonder about things like this.

What jumped out at me wasn't that the snacks looked good, which they don't. Or that I was drawn to the magazine cover's passive-aggressive minimalism. It was the number 27.

It's as if the editor said, We're gonna write an article about ways to snack, and when it's done we're gonna count the number of ways we wrote about it. Snaking, I mean. …Um … That will be our title. We'll put it on the cover!

And there was much rejoicing.

Why? Why does the reader care how many ways there are in the article? The title should be "Snack Smarter!" or "Tips for Smarter Snaking," or "Snack Smarter or Die." Ooo, what about, "Smarter Snacking for Better Sex"?

We see titles like his all the time.

9 Tips for defunking your hard drive
4 ways to shine shoes without getting out of bed
16 reasons not to play with fire

I can understand something like The Top 10 Ugliest Cars for 2011, or The 100 Worst US Senators. The number actually adds some meaning, or context. But I say it's time to cut back on this obsession with counting things. It's not useful information, it's it's superfluous and redundant and it uses more words without meaning anything different. Or something.

Of course, sometimes it's good to say way too much about nothing in particular. Because if you're reading a blog post like this, you're not reading the news. So I'm doing a public service.

You're welcome. 

… I got some apples today, so I'm outta here. Time for a snack.

December is Here

It comes driving darkness ahead of it like a slow herd of dark animals.

night bison1

That’s a fuse for a poem, maybe.

But tonight it’s good that my Christmas lights are up, to keep the December beasts at bay.