me, but less of it

I just thought you might be sitting out there wondering, perhaps discussing it among yourselves, over dinner, or over the potting mix in the garden department at Wal-mart. So …

I’ve been on a diet now for almost a year, and I’ve lost 85 pounds. Got a ways to go, but the wind is at my back.

You’re welcome: now you don’t have to watch Entertainment Tonight to get the poop.

very breath

Oh man, I hate it when somebody figures out the heart of my darkness, which compels me to admit my essential, insegrievious hypersomething. The quantum superposition of indolence.

The truly creative mind in any field is no more than this: A human creature born abnormally, inhumanly sensitive. To him… a touch is a blow, a sound is a noise, a misfortune is a tragedy, a joy is an ecstasy, a friend is a lover, a lover is a god, and failure is death. Add to this cruelly delicate organism the overpowering necessity to create, create, create — so that without the creating of music or poetry or books or buildings or something of meaning, his very breath is cut off from him. He must create, must pour out creation. By some strange, unknown, inward urgency he is not really alive unless he is creating.

-Pearl S. Buck, novelist, Nobel laureate (1892-1973)

justice

Justice will not be served until those who are unaffected are
as outraged as those who are.
— Benjamin Franklin

‘Cause when love is gone, there’s always justice.
And when justice is gone, there’s always force.
And when force is gone, there’s always Mom. Hi Mom!
— Laurie Anderson

when a strike is a good thing

I’m lonely tonight, feeling isolated. I usually cherish my solitude as a chance for creativity or just productivity, though it’s been harder to feel that way since Tasha died. I mean there’s living alone and then there’s living alone, you know?

I remember when I first started getting into writing as an avocation in college. Being a poet was a tribal thing, though my tribe at the time was a small pack of soft, privileged white kids, who thought we had parted a veil and gazed on Being, wearing white light folded, supine on the dappled surface of Chico Creek. Bad poets, every one. A few had promise, but I don’t know what became of them. Now it’s hard to be a tribal writer, find your place and dig in. The internet isn’t much help, though you might hope it would be. So many voices, as Kerouac put it, “dealing with the pit and prune juice of poor beat life itself in the god awful streets of man.”

Which brings me to the topic at hand, bowling. That’s something I could be doing tonight instead of what I’m doing tonight. I could be someplace loud, with lots of people. The sound of the balls on the lanes, and the crash. Beer. My own bowling ball, so infinitely, intractably black that my hand would almost disappear every time I reached for it. Drying my hands in the little air vents, and finding just the right board on the floor from which to begin my attack. And you know that once I do, there is no hope.

I’m not sure I like bowling. I wasn’t bad in college, but that was a long time ago. I took the class at City College, to get past the PE requirement and transfer to Chico State. The last time I tried the game (don’t call it a sport) was early in 2005 and I sucked. But I was almost a twentieth of a ton heavier then, so God knows.

What I’m doing – besides writing this post – is trying to conjure a point of focus, a chord to strike, on which to build the last of a series of very short stores, story poems, which I started working on about a year and a half ago. A few months ago, I made a manuscript of them, enough to submit. But I need a knotted thread to tie them around – a title piece to set the tone. I’ve been mulling it over for a couple of months, and thought I had it when I was up in Northern California last month. I thought it was voices in the trees. So I wrote that, and then another piece, but that’s not it either. Now I think it’s images, photos, and how they bind us to the world.

Now I need to go out on the balcony for some fresh air, because I’m picturing a guy bowling alone, drying his hands with the little vent, taking a pull from his Bud Light, reaching into the darkness for his ball. See, being a writer of uncommonly pallid imagination, he forgot to write any friends into the scene.

Sunset

See, there is grass at the bottom
of the stairs, and a tree. Just
a generic, nameless tree.
The street, black with a yellow
stripe, has a name which
doesn’t matter. That family is gone,
and their house, and we do not care.
But there is a field, thirsty
again though it rained last week,
when for days I thought of nothing
so much as of the dead. Then the sea,
which is blue steel, bitter cold
and hungry, in need of sleep.
Boats, oil rigs, islands, sea birds
lost and homeless, sick to death
of fish, and then the setting sky.
Ruby, saffron, tangerine, shouldering
cobalt and lapis lazuli. And beyond
the day’s grand finale of water
and terminal light is the great offstage.
Clouds line up to build tomorrow’s set,
where stars fidget, clear their throats
and sing the evening hymn. Beyond
that scene, a thousand dusty lines
of memory – grandparents, school yards,
car wrecks, sex – are deconstructing
in the dark, and on pages just like this.
The gestures of my dying are rehearsing
there, you know, beyond the sky
and the mind, already breathing, born.

Kyle Kimberlin
3rd Draft,
7/22/06

[2nd draft posted 1/11/06]

finding oakland

Back in 1992, my book of poems Finding Oakland was published by White Plume Press, Seattle. I’ve never shared the poems from that effort here, because my galleys were lost when I moved to my present home in 2000. But I recently borrowed a copy from a family member, and I’m scanning and retyping the poems.

So, if anyone is still reading this blog – my stats say there may still be a few of you – we’re off on an occasional retrospective. It seems like it might be edifying to do a little emotional archeology, maybe write some new poems on old themes. Maybe I’ve changed, growing into middle age. Probably not. Regardless, it’s definitely time to reassess, learn from failures.

One funny thing about the book, it sold for about four bucks a pop. That seemed like money at the time. If you’d like to see the original cover art, title and publication pages, here you are.

One funny thing about this poem is that in the original, I misspelled Rankolnikov as Raskolniov, and it slipped past me and the publisher, and everyone who has read the book, as far as I know. Guess I’d been reading a little Dostoevsky at the time. And the New Testament. The epigraph from Jack Kerouac’s On The Road was used with permission of Viking Penguin.

Finding Oakland

because here we were dealing with the pit
and prune juice of poor beat life itself
in the god awful streets of man”
Kerouac

In my heart, I have come back to
San Francisco, which sprung up
on the edge like a condemned man’s
last meal, where patience and action
are futile. I have come to kneel
where only prayer is valid.

In the Steinhart Aquarium, my brother
longed to swim in the cool peace.
In a dream I saw him on the BART,
plunge beneath the bay, searching
for water. But he rose up,
finding
Oakland. He stepped
from the train, saying “we are
like men who have lost their legs.”

In a dream, I saw him walking
south on
Mission Street, turning
into an alley and a dark pawnshop.
Like poor Raskolnikov, the price
Was just too high. The fog
lingered about the hills, anointing
the housetops, hanging from street lights.

Then Jesus rose up through the steam
in the street, parting the traffic,
leveling light on everything.
Dragging the curtain torn in two.
An Army of angels marched
down from Bolinas,
swinging the broken chains.

— Kyle Kimberlin, 1992
all rights reserved

you heard it here first

Sometimes, picking up a newspaper or accessing the TV or Web news is like stepping out of the dugout with your favorite bat, tapping it across the plate, and looking up to face two or three or five pitchers. Just when I thought I was getting a handle on the madness in Israel, here comes another pitch – high and tight – out of Iraq. One hundred dead civilians, per day, says the NY Times.

BAGHDAD, Iraq, July 18 — An average of more than 100 civilians per day were killed in Iraq last month, the United Nations reported Tuesday, registering what appears to be the highest official monthly tally of violent deaths since the fall of Baghdad. …

This sharp upward trend reflected the dire security situation in Iraq as sectarian violence has worsened and Iraqi and American government forces have been unable to stop it.



Which brings me to some good news for you. The war as we knew it, of the US against Iraq, is over. The Iraqis have stepped up, just as Bush and Rumsfeld promised. They’re running their own civil war against each other now. They don’t need us anymore, so our troops can move on to the next bushcluster. Iran, presumably. Or North Korea. (Feeling il yet?)

I thought I’d mention the end of the Iraq war as we knew it, since you’ve probably been distracted by one or several of the other wars. No need to thank me.

slippery slide of slaughter

The LA Times is calling the civil war in Iraq for what it is. 
 

Retaliatory massacres by gunmen and bombers linked to rival Muslim sects have left more than 130 people dead across Iraq over the last two days, the latest casualties of what some politicians now are calling an undeclared civil war.

At least 57 Iraqis were killed Tuesday and scores more injured when a suicide bomber lured a group of day laborers to gather around his minivan with the promise of work before setting off explosives.

power

I hope our wisdom will grow with our power, and teach us that the less we use our power the greater it will be.
 
-Thomas Jefferson